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DTSTART;TZID=America/New_York:20200201T093000
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SUMMARY:Oral History: A Queer Art: A Two-Day Workshop
DESCRIPTION:  \nTHIS WORKSHOP IS NOW FULL. PLEASE SIGN UP FOR THE WAITLIST\, AND WE WILL BE IN TOUCH IF SPACE OPENS UP. \nOral History\, a Queer Art will follow the course of our usual immersive workshops by offering foundational oral history training–theory\, method\, practice– while inviting exploration into the way that oral history values and theory are arguably queer and/or well-positioned to support emergent complex queer narratives. This workshop will also seize upon the history and abundance of queer oral history projects\, approaching this canon as both case study of “insider history” and as inspiration for future projects. We’ll challenge a purist oral history model\, asking how it can/should be adapted with queer values and theory in mind. \nThis workshop is appropriate for those looking for foundation oral history training\, those embarking (or currently working) on queer oral history projects and/or those who wish to learn in a queer-centered space. All are welcome. \n  \nMore about Oral History Summer School: Our workshops are set up to bring together learners with a range of experience and motives\, to think about how oral history’s best practices apple to their work and personal lives. We emphasize listening\, collaboration\, co-creation\, ethics\, trauma training\, self-care\, familiarity with archival practices and project design\, though not all of these subjects will be covered at length in shorter (1 to 2-day) workshops. \n 
URL:https://www.bgsqd.com/event/oral-history-a-queer-art/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/01/Oral-History-A-Queer-Art-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200201T160000
DTEND;TZID=America/New_York:20200201T173000
DTSTAMP:20260620T234506
CREATED:20200110T185908Z
LAST-MODIFIED:20200113T190302Z
UID:8607-1580572800-1580578200@www.bgsqd.com
SUMMARY:Oral History\, A Queer Art: NYC Trans Oral History Project: Public Event
DESCRIPTION:  \n4 PM to 5:30 PM (Doors open at 3:45 PM)\n Free and open to the public \nPlease join us as Michelle Esther O’Brien and Nico Fuentes present their work with the NYC Trans Oral History Project (NYC TOHP) in conversation with Suzanne Snider and the audience. \nNYC TOHP is a public\, online community archive devoted to the collection\, preservation and sharing of trans histories\, organized in collaboration with the New York Public Library. The NYC TOHP works to confront the erasure of trans lives and to record diverse histories of gender as intersecting with race and racism\, poverty\, dis/ability\, aging\, housing migration\, sexism\, and the AIDS crisis. \nDuring the event\, Fuentes and O’Brien will discuss some of the most challenging lessons related to the NYC Trans Oral History Project and the broader implications for rethinking best practices in oral history. This talk will address the Project’s and Collective’s emergent ideas around ownership\, vulnerability\, accessibility\, fetishization of orality/aurality\, compensation\, mission-driven work and collective liberation. \n  \nPresenters: \nMichelle Esther O’Brien is a doctoral candidate in the Department of Sociology at New York University. She is currently conducting dissertation research on LGBTQ social movements in New York City. Michelle also works as a Community Oral History Coordinator at the New York Public Library\, where she helps lead the New York City Trans Oral History Project. The Project is gathering a growing online archive of personal oral histories from trans New Yorkers. Michelle received her Masters of Social Work from the Hunter College School of Social Work\, CUNY (now Silberman School). She spent several years working in HIV/AIDS service agencies\, as a community organizer\, support group facilitator and case worker. She served as the Executive Director of Housing Here and Now\, at the time the leading coalition of tenant rights organizations in New York City. \nNico Fuentes is a rank and file organizer\, sex shop worker\, listener and sometimes speaker. She is interested in trans political organizing\, difference\, and bridging class and identity politics. She most recently completed a two year contract campaign at the Pleasure Chest NY and is looking forward to continuing to work with the New York Trans Oral History Project as an interviewer. \nSuzanne Snider is a writer\, documentarian\, and educator whose work is deeply influenced by oral history theory and practice. Her most recent projects have taken the shape of sound installation\, essays\, and archive design. In 2012\, she founded Oral History Summer School\, an interdisciplinary training program in upstate New York. She consults frequently for institutions and project teams; collaborations include the National Public Housing Museum\, MoMA\, Center for Reproductive Rights and the National Library of Kosovo. Her writing/audio work appear in The Guardian\, The Believer and The Washington Post\, along with several anthologies and artist catalogs. Snider teaches at The New School. With support from the Yaddo Corporation and the MacDowell Colony\, she is completing her first book\, The Revival. \n  \n  \n 
URL:https://www.bgsqd.com/event/oral-history-a-queer-art-nyc-trans-oral-history-project/
LOCATION:Online event\, New York\, NY\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/01/Oral-History-Summer-School-public-event.jpg
ORGANIZER;CN="Bureau of General Services%E2%80%94Queer Division":MAILTO:contact@bgsqd.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200202T093000
DTEND;TZID=America/New_York:20200202T170000
DTSTAMP:20260620T234506
CREATED:20200113T185809Z
LAST-MODIFIED:20200113T190020Z
UID:8615-1580635800-1580662800@www.bgsqd.com
SUMMARY:Oral History: A Queer Art: A Two-Day Workshop
DESCRIPTION:  \nTHIS TWO-DAY WORKSHOP IS NOW FULL. PLEASE SIGN UP FOR THE WAITLIST\, AND WE WILL BE IN TOUCH IF SPACE OPENS UP. \nOral History\, a Queer Art will follow the course of our usual immersive workshops by offering foundational oral history training–theory\, method\, practice–while inviting exploration into the way that oral history values and theory are arguably queer and/or well-positioned to support emergent complex queer narratives. This workshop will also seize upon the history and abundance of queer oral history projects\, approaching this canon as both case study of “insider history” and as inspiration for future projects. We’ll challenge a purist oral history model\, asking how it can/should be adapted with queer values and theory in mind. \nThis workshop is appropriate for those looking for foundation oral history training\, those embarking (or currently working) on queer oral history projects and/or those who wish to learn in a queer-centered space. All are welcome. \n  \nMore about Oral History Summer School: Our workshops are set up to bring together learners with a range of experience and motives\, to think about how oral history’s best practices apple to their work and personal lives. We emphasize listening\, collaboration\, co-creation\, ethics\, trauma training\, self-care\, familiarity with archival practices and project design\, though not all of these subjects will be covered at length in shorter (1 to 2-day) workshops. \n 
URL:https://www.bgsqd.com/event/oral-history-a-queer-art-2/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/01/Oral-History-A-Queer-Art-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200204T183000
DTEND;TZID=America/New_York:20200204T213000
DTSTAMP:20260620T234506
CREATED:20191212T172917Z
LAST-MODIFIED:20191212T172917Z
UID:8571-1580841000-1580851800@www.bgsqd.com
SUMMARY:Poems Are Not a Luxury: Audre Lorde and Adrienne Rich
DESCRIPTION:  \nThe Bureau is excited to partner again with the Brooklyn Institute for Social Research to bring you: \nPoems Are Not a Luxury: Audre Lorde and Adrienne Rich \nInstructor: Amy Schiller \n“Poetry is liberative language\,” wrote Adrienne Rich. “Poems are not a luxury\,” argued Audre Lorde. How can we understand these claims about the intersection of poetry and politics? This course delves into the lives and works of Rich and Lorde\, as we explore their respective poetic oeuvres. To Rich and Lorde\, liberation was a through-line of experience between eros\, politics\, and language. And both express in their works understandings of gender\, sexuality\, and the body. In a famous interview between the two writers\, they discuss poetry as the language of the dark\, the feminine\, the unconscious; we will explore this tendency in their work and the ways in which their respective renderings of the feminine influenced the trajectory of feminist theory and politics in the mid and late-20th century. Their conversations with one another\, and treatments of their legacies by Claudia Rankine\, Lisa L. Moore\, Marilyn Hacker and others\, will inform our investigation of poetry as part of feminist theory. How do Rich and Lorde navigate antiracism and intersectionality among allies with different race and class affiliations? How does poetic form contribute to their political practice? Readings will include Diving Into The Wreck\, The Fact of a Doorframe\, Uses of the Erotic\, Sister Outsider\, and the Arts of the Possible\, among others. \n  \nThe Bureau sells copies of \nAdrienne Rich’s Diving Into The Wreck and Arts of the Possible\, \nAudre Lorde’s Sister Outsider\, which includes the essay “Uses of the Erotic\,” \nand other titles by both Lorde and Rich. Please support the Bureau by buying books from us! Thank you! \n  \nCourse Schedule \nJanuary 28\, February 4\, 11\, and 18\, 2020\nTuesdays\, 6:30-9:30pm\n4 sessions\n\n$315.00* \nRegistration is required. Please click here. \n  \n*Three scholarship spaces are reserved in each course because we realize that not everyone can afford to pay the full fee for our courses. Students who cannot pay the full fee should email us at info@thebrooklyninstitute.com to learn about our scholarship options. We will not ask questions about your financial situation but we do ask that you use the system in good faith and consider the needs of other students and faculty members. \n  \nThe Bureau of General Services—Queer Division is an independent\, all-volunteer queer cultural center\, bookstore\, and event space hosted by The LGBT Community Center in Manhattan. \n  \nThe Brooklyn Institute for Social Research is an organization of young scholars in New York City\, founded in November 2011 by a few then-graduate students at Columbia University with a shared interest in pedagogy and genuinely interdisciplinary conversation. We teach classes all over the city\, record a regular podcast\, run a digital humanities initiative to preserve rare and out-of-print academic texts\, and in general work frantically at any given time on a broad range of other academic and para-academic projects. We are a nonprofit\, 501(c)3 organization. \n  \n  \n 
URL:https://www.bgsqd.com/event/poems-are-not-a-luxury-audre-lorde-and-adrienne-rich/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2019/12/Lorde-Rich-BISR-course.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200205T183000
DTEND;TZID=America/New_York:20200205T213000
DTSTAMP:20260620T234506
CREATED:20200127T200559Z
LAST-MODIFIED:20200127T201043Z
UID:8647-1580927400-1580938200@www.bgsqd.com
SUMMARY:OLNY Poly Movie Night: Colette
DESCRIPTION:  \nOpen Love NY presents Poly Movie Night\, a FREE series of feature films that focus on the portrayal of consensual / ethical non-monogamy in cinema. Our regular venue is the Bureau of General Services—Queer Division.\n  \nOn February 5th please join us for a viewing of Colette (2018)\, directed by Wash Westmoreland and starring Keira Knightly and Dominic West.\n  \nWe’ll meet at 6:30 pm at the Bureau (in room 210 of The Lesbian\, Gay\, Bisexual & Transgender Community Center at 208 West 13th Street) for pre-screening socializing and start the movie at 7 pm. The event is free\, although a $10 suggested donation to help fund future events is much appreciated.\n  \nSynopsis: In 1893\, 20-year-old Colette marries the writer Willy and moves to Paris. Willy introduces her to the intellectual and artistic life of the city\, encourages her relationships with other women\, and takes credit for her writing. Running time: 1 hour 51 minutes. \n \n  \n \n 
URL:https://www.bgsqd.com/event/olny-poly-movie-night-colette/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/01/Colette.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200207T190000
DTEND;TZID=America/New_York:20200207T200000
DTSTAMP:20260620T234506
CREATED:20200115T162326Z
LAST-MODIFIED:20200115T162720Z
UID:8620-1581102000-1581105600@www.bgsqd.com
SUMMARY:Four Way Books Reading
DESCRIPTION:  \nJoin us for a poetry reading featuring the amazing Four Way Books authors Patrick Donnelly (Little-Known Operas)\, Rigoberto González (The Book of Ruin)\, Julia Guez (In an Invisible Glass Case Which Is Also a Frame)\, and Sam Ross (Company). \n  \nBooks will be available for sale. To reserve a copy of any of these titles\, please write to the Bureau at contact@bgsqd.com \nThank you for supporting the Bureau by purchasing books from us! \n  \n\n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nPatrick Donnelly is the author of four books of poetry. Former poet laureate of Northampton\, Massachusetts\, Donnelly is director of the Poetry Seminar at The Frost Place\, and an associate editor of Poetry International. His poems have appeared in American Poetry Review\, Hayden’s Ferry Review\, The Massachusetts Review\, Ploughshares\, Slate\, The Virginia Quarterly Review\, The Yale Review\, and many other journals. Donnelly’s translations with Stephen D. Miller of classical Japanese poetry were awarded the 2015-2016 Japan- U.S. Friendship Commission Prize for the Translation of Japanese Literature. Donnelly’s other awards include a U.S./Japan Creative Artists Program Award\, an Artist Fellowship from the Massachusetts Cultural Council\, the Margaret Bridgman Fellowship in Poetry from the Bread Loaf Writers’ Conference\, and an Amy Clampitt Residency Award. He lives outside of Northampton\, Massachusetts. \n \n  \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n \nRigoberto González is the author of 17 books of poetry and prose\, most recently of the memoir What Drowns the Flowers in Your Mouth. His awards include Guggenheim\, NEA\, NYFA\, and USA Rolón fellowships\, the American Book Award from the Before Columbus Foundation\, the Lenore Marshall Prize from the Academy of American Poets\, and the Shelley Memorial Award from the Poetry Society of America. A critic at large for The L.A. Times\, he sits on the board of trustees of the Association of Writers and Writing Programs (AWP) and is currently professor of English at Rutgers-Newark\, the State University of New Jersey. \n \n  \n\n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nJulia Guez’s poetry\, essays\, interviews and translations have appeared in Poetry\, the Guardian\, PEN Poetry Series\, the Kenyon Review\, BOMB and the Brooklyn Rail. She has been awarded the Discovery/Boston Review Poetry Prize\, a Fulbright Fellowship and the John Frederick Nims Memorial Prize in Translation. Guez holds degrees from Rice and Columbia. For the last decade\, she has worked with Teach For America; she’s currently a senior managing director of program implementation there. She also teaches creative writing at Rutgers and writes poetry reviews for Publishers Weekly. Guez lives in Brooklyn and online at www.juliaguez.net. \n \n  \n\n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nSam Ross has received fellowships and support from Columbia University\, the Bread Loaf Writers’ Conference\, the Watermill Center\, and the Fine Arts Work Center in Provincetown. His work has appeared in the Denver Quarterly\, New Republic\, Tin House\, and elsewhere. He grew up in Indiana and lives in New York City.\n  \n  \n 
URL:https://www.bgsqd.com/event/four-way-books-reading/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/01/Four-Way-Books-Feb-2020-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200208T110000
DTEND;TZID=America/New_York:20200208T143000
DTSTAMP:20260620T234506
CREATED:20200120T180859Z
LAST-MODIFIED:20200127T215134Z
UID:8629-1581159600-1581172200@www.bgsqd.com
SUMMARY:Office Hours Craft Class & Reading with Gregory Pardlo
DESCRIPTION:  \nJoin us Saturday February 8th\, 2020 at the Bureau of General Services—Queer Division for a FREE Craft Class and Reading with author Gregory Pardlo. Featured readers include Alexis Aceves Garcia\, Darise JeanBaptiste\, and Christina Quintana (CQ). \n  \nOffice Hours Presents: “Reduce\, Reuse\, Recycle” with Gregory Pardlo! \nIn the Reduce\, Reuse\, Recycle craft class with Gregory Pardlo\, Cliché is perhaps the only thing a poem cannot abide. Clichés are not just trite or overused phrases. They are the images\, ideas\, and narratives that make up the shared body of knowledge we call “common sense.” In the writing process\, we poets often reach for clichés and common sense thinking in times of crisis or discomfort instead of boldly depicting the thing that likely inspired the poem in the first place. Language that is flat and unimaginative can signal\, paradoxically\, the very passages in a poem that are the most emotionally fraught. Rather than simply discarding them\, we might consider ways to honor the original sentiments buried within that stale language. In this workshop\, we will discuss strategies for getting at the useful emotionally raw material fossiled into such otherwise disposable language. We will dig through your printouts of failed poems\, we will scroll through forgotten files on your laptop\, and we will use this material to generate new work that is moving\, surprising\, maybe even a little discomforting\, and above all fresh. \n  \nThe craft class takes place from 11:00 AM to 1:00 PM.\nA public reading will follow from 1:30 PM-2:30 PM. \n  \nSpaces for the craft class are limited to 17 persons so please RSVP in advance to sarahmariesala@gmail.com and include your full name\, relationship to writing\, and a brief bio. \n  \nOffice Hours Poetry Workshop provides post-MFA poets access to continued support for manuscript-development and everyday writing. The workshop culminates in a public reading each fall and spring to showcase sizzling new work. We welcome all poets\, especially people of color\, LGBTQ+\, and those who are femme-identified. Our name derives from our side hustle. Many of us are freelance\, adjunct instructors\, who continue to thrive in the margins of academia. \n  \n  \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nGregory Pardlo‘s ​collection​ Digest (Four Way Books) won the 2015 Pulitzer Prize for Poetry. Other honors​ include fellowships from the Guggenheim Foundation\, the New York Foundation for the Arts\, and the National Endowment for the Arts for translation; his first collection Totem won the APR/Honickman Prize in 2007. He is Poetry Editor of Virginia Quarterly Review and Director of the MFA program at Rutgers University-Camden. His most recent book is Air Traffic\, a memoir in essays. \n  \nAlexis Aceves Garcia is a first-generation genderqueer Latinx and Indochinese poet from San Diego\, CA. In 2019\, they were awarded a full fellowship as the Teaching Assistant for Catapult’s inaugural 12-month Poetry Generator Workshop with Angel Nafis and the Cisneros Poetry Fellowship from the Jack Jones Literary Arts Retreat. You can find their poems in the June Jordan Poetry & Protest Anthology\, Como Maracuya\, Peptalk\, and Cipactli with poems forthcoming in The BreakBeat Poets Volume 4: LatiNEXT\, Apogee Journal\, and Selfish Magazine.They are currently working on their first book and living in Queens\, NY. \n  \nDarise JeanBaptiste is a fiction writer born and raised in the Bronx. She earned her MFA in creative writing from Rutgers-Newark and her MA in English literature from Brooklyn College\, where she began teaching English composition. Darise has written for The Press & Sun-Bulletin\, The Ithaca Journal\, and City Limits. Darise is a VONA (Voices of Our Nation Arts Foundation) alum and a Callaloo Creative Writing Workshop fellow. In her creative process\, she aims to trace the trajectory toward a woman’s embrace of her intuitive power. \n  \nChristina Quintana (CQ) is a queer\, cross-genre writer with Cuban and Louisiana roots. She is the author of the full-length play Scissoring (Dramatists Play Service\, 2019) and The Heart Wants\, a chapbook of poetry (Finishing Line Press\, 2016). Most recently\, CQ worked as staff writer for the upcoming ABC series\, Baker and the Beauty. For more\, visit cquintana.com. \n  \n 
URL:https://www.bgsqd.com/event/office-hours-craft-class-reading-with-gregory-pardlo/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/01/Office-Hours-Presents_Pardlo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200211T183000
DTEND;TZID=America/New_York:20200211T213000
DTSTAMP:20260620T234506
CREATED:20191212T172951Z
LAST-MODIFIED:20191212T172951Z
UID:8572-1581445800-1581456600@www.bgsqd.com
SUMMARY:Poems Are Not a Luxury: Audre Lorde and Adrienne Rich
DESCRIPTION:  \nThe Bureau is excited to partner again with the Brooklyn Institute for Social Research to bring you: \nPoems Are Not a Luxury: Audre Lorde and Adrienne Rich \nInstructor: Amy Schiller \n“Poetry is liberative language\,” wrote Adrienne Rich. “Poems are not a luxury\,” argued Audre Lorde. How can we understand these claims about the intersection of poetry and politics? This course delves into the lives and works of Rich and Lorde\, as we explore their respective poetic oeuvres. To Rich and Lorde\, liberation was a through-line of experience between eros\, politics\, and language. And both express in their works understandings of gender\, sexuality\, and the body. In a famous interview between the two writers\, they discuss poetry as the language of the dark\, the feminine\, the unconscious; we will explore this tendency in their work and the ways in which their respective renderings of the feminine influenced the trajectory of feminist theory and politics in the mid and late-20th century. Their conversations with one another\, and treatments of their legacies by Claudia Rankine\, Lisa L. Moore\, Marilyn Hacker and others\, will inform our investigation of poetry as part of feminist theory. How do Rich and Lorde navigate antiracism and intersectionality among allies with different race and class affiliations? How does poetic form contribute to their political practice? Readings will include Diving Into The Wreck\, The Fact of a Doorframe\, Uses of the Erotic\, Sister Outsider\, and the Arts of the Possible\, among others. \n  \nThe Bureau sells copies of \nAdrienne Rich’s Diving Into The Wreck and Arts of the Possible\, \nAudre Lorde’s Sister Outsider\, which includes the essay “Uses of the Erotic\,” \nand other titles by both Lorde and Rich. Please support the Bureau by buying books from us! Thank you! \n  \nCourse Schedule \nJanuary 28\, February 4\, 11\, and 18\, 2020\nTuesdays\, 6:30-9:30pm\n4 sessions\n\n$315.00* \nRegistration is required. Please click here. \n  \n*Three scholarship spaces are reserved in each course because we realize that not everyone can afford to pay the full fee for our courses. Students who cannot pay the full fee should email us at info@thebrooklyninstitute.com to learn about our scholarship options. We will not ask questions about your financial situation but we do ask that you use the system in good faith and consider the needs of other students and faculty members. \n  \nThe Bureau of General Services—Queer Division is an independent\, all-volunteer queer cultural center\, bookstore\, and event space hosted by The LGBT Community Center in Manhattan. \n  \nThe Brooklyn Institute for Social Research is an organization of young scholars in New York City\, founded in November 2011 by a few then-graduate students at Columbia University with a shared interest in pedagogy and genuinely interdisciplinary conversation. We teach classes all over the city\, record a regular podcast\, run a digital humanities initiative to preserve rare and out-of-print academic texts\, and in general work frantically at any given time on a broad range of other academic and para-academic projects. We are a nonprofit\, 501(c)3 organization. \n  \n  \n 
URL:https://www.bgsqd.com/event/poems-are-not-a-luxury-audre-lorde-and-adrienne-rich-2/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2019/12/Lorde-Rich-BISR-course.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200214T183000
DTEND;TZID=America/New_York:20200214T213000
DTSTAMP:20260620T234506
CREATED:20200131T194732Z
LAST-MODIFIED:20200210T180239Z
UID:8650-1581705000-1581715800@www.bgsqd.com
SUMMARY:Pasolini's Arabian Nights
DESCRIPTION: \nOn Friday\, February 14th\, please join us for a viewing of Arabian Nights (Il fiore delle mille e una notte)\, (1974)\, directed by Pier Paolo Pasolini.\n \nPlease arrive at 6:30 pm at the Bureau for pre-screening socializing\, buying drinks\, and finding a seat.\n \nAt 6:45 pm Ara H. Merjian\, Professor of Italian\, New York University\, and author of the forthcoming Against the Avant-Garde: Pier Paolo Pasolini\, Contemporary Art\, and Neocapitalism (University of Chicago Press\, April 2020)\, will introduce Arabian Nights.\n \nAt 7 pm sharp we will begin the screening.\n \nThe event is free\, although a $10 suggested donation to support the Bureau is much appreciated!\n \nPasolini’s adaptation of One Thousand and One Nights\, or Arabian Nights\, tells the story of Nur ed Din and Zumurrud\, two young lovers separated through error. Nur ed Din learns through stories within stories of love\, betrayal\, revenge and renewal to help guide him back to Zumurrud. Shot in Ethiopia\, Eritrea\, Yemen\, Iran\, India and Nepal\, landscape beautifully expands each story. It is the third film of Pasolini’s “trilogy of life” series\, which preceded his final film\, Salò. Dreamlike and poetic\, it opens one’s mind to life’s creative possibility and imaginative potential.\n \nRunning time: 2 hours 10 minutes\nSubtitles: English\n \n \n \n 
URL:https://www.bgsqd.com/event/pasolinis-arabian-nights/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/01/Arabian-Nights.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200215T190000
DTEND;TZID=America/New_York:20200215T210000
DTSTAMP:20260620T234506
CREATED:20200201T184253Z
LAST-MODIFIED:20200201T184553Z
UID:8653-1581793200-1581800400@www.bgsqd.com
SUMMARY:TELL 60: Queer Black Love
DESCRIPTION:  \nTELL is an evening of story telling from the mouths and minds of queers in NYC hosted by Drae Campbell at the Bureau of General Services—Queer Division since February 2014. That makes this TELL the sixth anniversary edition!!! \nQueer Black Love is the theme of the 60th TELL\, on Saturday\, February 15\, 2020\, with special guest host Elsa Waithe. Featuring stories by Calvin S. Cato\, Lois Thompson\, and Lamar Shambley.\n \n  \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nElsa Waithe is a Comedian\, Actor\, and Motivational Speaker from Norfolk\, Virginia. She’s won the Virginia Beach Funnybone’s Clash of the Comics three times\, has been featured on This American Life\, and is a recurring guest on TELL. \n  \n  \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nCalvin S. Cato has performed all across the United States and has even crossed the border into Canada. His television appearances include the Game Show Network\, Oxygen’s My Crazy Love\, National Geographic’s Brain Games\, and an unaired pilot for Vice Media called Emergency Black Meeting. His comedy has been featured in numerous festivals including San Francisco Sketchfest\, Austin’s Out of Bounds Comedy Festival\, Brooklyn Pride\, and the Women in Comedy Festival. In addition\, you may have heard him overshare on many podcasts including Keith and The Girl\, The Beige Philip Show\, RISK!\, and Tinder Tales. In 2017\, Calvin was named one of Time Out New York’s Queer Comics of Color to Watch Out For. You can catch Calvin every Monday as the host/producer of Ed Sullivan on Acid at Freddy’s Bar in Park Slope\, one of the longest running free comedy shows in Brooklyn. Or you can check out the podcast he co-produces called Playable Characters Podcast\, which has been featured in AV Club and Splitsider. \n  \n \n  \n  \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nLamar Shambley is a Brooklyn-born educator with experience teaching middle school math and high school Spanish. He’s the Founder and Executive Director of Teens of Color Abroad\, a nonprofit program that provides local high school students of color with language immersion study abroad programs. \n  \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nFor the past seven years Lois Thompson has produced and hosted Blacklight Comedy Show at The Brooklyn Moon. Always an all-female line-up\, Blacklight has become a must-do stage for NYC and visiting comedians alike. Since 2016\, she has also produced the comedy portion of the Brooklyn Pride Celebration. When she not busy finding funny people\, Lois helps people find their place in the world through real estate. \n  \n  \n 
URL:https://www.bgsqd.com/event/tell-60-queer-black-love/
LOCATION:Online event\, New York\, NY\, United States
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ORGANIZER;CN="Bureau of General Services%E2%80%94Queer Division":MAILTO:contact@bgsqd.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200218T183000
DTEND;TZID=America/New_York:20200218T213000
DTSTAMP:20260620T234506
CREATED:20191212T173054Z
LAST-MODIFIED:20200120T185133Z
UID:8573-1582050600-1582061400@www.bgsqd.com
SUMMARY:Poems Are Not a Luxury: Audre Lorde and Adrienne Rich
DESCRIPTION:  \nThe Bureau is excited to partner again with the Brooklyn Institute for Social Research to bring you: \nPoems Are Not a Luxury: Audre Lorde and Adrienne Rich \nInstructor: Amy Schiller \n“Poetry is liberative language\,” wrote Adrienne Rich. “Poems are not a luxury\,” argued Audre Lorde. How can we understand these claims about the intersection of poetry and politics? This course delves into the lives and works of Rich and Lorde\, as we explore their respective poetic oeuvres. To Rich and Lorde\, liberation was a through-line of experience between eros\, politics\, and language. And both express in their works understandings of gender\, sexuality\, and the body. In a famous interview between the two writers\, they discuss poetry as the language of the dark\, the feminine\, the unconscious; we will explore this tendency in their work and the ways in which their respective renderings of the feminine influenced the trajectory of feminist theory and politics in the mid and late-20th century. Their conversations with one another\, and treatments of their legacies by Claudia Rankine\, Lisa L. Moore\, Marilyn Hacker and others\, will inform our investigation of poetry as part of feminist theory. How do Rich and Lorde navigate antiracism and intersectionality among allies with different race and class affiliations? How does poetic form contribute to their political practice? Readings will include Diving Into The Wreck\, The Fact of a Doorframe\, Uses of the Erotic\, Sister Outsider\, and the Arts of the Possible\, among others. \n  \nThe Bureau sells copies of \nAdrienne Rich’s Diving Into The Wreck and Arts of the Possible\, \nAudre Lorde’s Sister Outsider\, which includes the essay “Uses of the Erotic\,” \nand other titles by both Lorde and Rich. Please support the Bureau by buying books from us! Thank you! \n  \nCourse Schedule \nJanuary 28\, February 4\, 11\, and 18\, 2020\nTuesdays\, 6:30-9:30pm\n4 sessions\n\n$315.00* \nRegistration is required. Please click here. \n  \n*Three scholarship spaces are reserved in each course because we realize that not everyone can afford to pay the full fee for our courses. Students who cannot pay the full fee should email us at info@thebrooklyninstitute.com to learn about our scholarship options. We will not ask questions about your financial situation but we do ask that you use the system in good faith and consider the needs of other students and faculty members. \n  \nThe Bureau of General Services—Queer Division is an independent\, all-volunteer queer cultural center\, bookstore\, and event space hosted by The LGBT Community Center in Manhattan. \n  \nThe Brooklyn Institute for Social Research is an organization of young scholars in New York City\, founded in November 2011 by a few then-graduate students at Columbia University with a shared interest in pedagogy and genuinely interdisciplinary conversation. We teach classes all over the city\, record a regular podcast\, run a digital humanities initiative to preserve rare and out-of-print academic texts\, and in general work frantically at any given time on a broad range of other academic and para-academic projects. We are a nonprofit\, 501(c)3 organization. \n  \n  \n 
URL:https://www.bgsqd.com/event/poems-are-not-a-luxury-audre-lorde-and-adrienne-rich-3/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2019/12/Lorde-Rich-BISR-course.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200219T190000
DTEND;TZID=America/New_York:20200219T213000
DTSTAMP:20260620T234506
CREATED:20200206T192010Z
LAST-MODIFIED:20200218T180756Z
UID:8673-1582138800-1582147800@www.bgsqd.com
SUMMARY:Papers will not protect us: fugitive alien voices | launch and celebration for "Intergalactic Travels: poems from a Fugitive Alien" by Alan Pelaez Lopez
DESCRIPTION: \nis there a noun for the type of energy\nthe Black body feels when it senses danger?; \nis there an adjective for the type of sex\nthe Alienated wanna have in order to stop time?; \nis there a verb for traveling into another dimension\nto understand how the Self is surviving?; \nis there the possibility of being Human once again?;\n \n \nPlease join The Operating System in celebrating the launch of Intergalactic Travels: poems from a fugitive alien\, the debut hybrid collection from Alan Pelaez Lopez. “Papers will not protect us” features the voices of Jess X. Snow\, Alejandro Heredia\, and Wo Chan\, together with the author\, in celebration\, resistance\, and visionary resilience\, conjuring futures for bodies named alien by an imperial capital state.\n \nSuggested donation of $10 to benefit the Bureau. No one turned away for lack of funds.\n \nWe ask that you please avoid wearing perfumes/scents so that those with allergies and sensitivity to scent can attend.\n \nIntergalactic Travels: poems from a fugitive alien will be available for purchase at the event. To reserve a copy please write to us at contact@bgsqd.com. Thanks you for supporting the Bureau by buying books from us!\n \n \n‘Intergalactic Travels: poems from a fugitive alien’ is an experimental poetry collection that renders an intimate portrait of growing up undocumented in the United States. Through the use of collages\, photographs\, emails\, and immigration forms\, Alan Pelaez Lopez formulates theories of fugitivity that position the Trans*Atlantic slave trade and Indigenous dispossession as root causes of undocumented immigration. Although themes of isolation and unbelonging are at the forefront of the book\, the poet doesn’t see belonging to U.S. society as a liberatory practice. Instead\, Pelaez Lopez urges readers to question their inheritance and acceptance of “settler rage\, settler fear\, and settler citizenship\,” so that they can actively address their participation in everyday violences that often go unnoticed. As the title invokes\, Intergalactic Travels breaks open a new galaxy where artists of color are the warriors that manifest the change that is needed not only to survive\, but thrive.\n \nAdvance Praise: \n“‘Intergalactic Travels: poems from a fugitive alien’ brilliantly expands the conversation on undocumented migration by tracing the legacy of illegality. Claiming ‘every crossing becomes mine\,’ Alan Pelaez Lopez\, as fugitive alien\, bravely takes on the task of traveling across galaxies to reach an elsewhere that is something more like a new holding. Against the failure of political language\, this book of multimedia poems becomes a verb\, an active imagining that takes the banality of papers and transforms it into poetry. This intergalactic traveling brings the ‘Black NDN’ migrant touchingly back to their mother’s arms\, and to her vision for life. If illegality is to be their legacy\, Alan reimagines that illegality as both disruptive of settler-futures and productive for black and indigenous futures. We should be immensely grateful for this vision.” – Javier O. Huerta\, author of ‘American Copia: An Immigrant Epic’\n \n \n“This is a stunning book. It’s history\, it’s their story\, it’s an archive and a hard drive with a playful vibe. Its sense of humor girds and grounds and gallops around the gravity of law and belonging and erasure and choosing words and narratives and modes that were made without people like us in the room. It revels in colonial language as it tells that language to sit the f down. There’s a new b on the scene. Take note and pay your respects.” – Tommy Pico\, author of ‘Feed’\n \n \nAlan Pelaez Lopez is an AfroIndigenous poet\, installation\, and adornment artist from Oaxaca\, México. They are the author of the art and poetry collection\, ‘Intergalactic Travels: poems from a fugitive alien’ (The Operating System\, 2020)\, and the chapbook\, ‘to love and mourn in the age of displacement’ (Nomadic Press\, 2020). Their poetry has been nominated for the Pushcart Prize and “Best of the Net\,” as well as published in Best New Poets\, Best American Experimental Writing\, POETRY\, Puerto Del Sol\, Everyday Feminism\, & elsewhere. Pelaez Lopez has received fellowships and/or residencies from Submittable\, the Museum of the African Diaspora\, VONA/Voices\, and UC Berkeley. They live in Oakland\, CA & the internet (as @MigrantScribble).\n \n  \nWo Chan is a queer poet and drag performer living in Brooklyn. Wo has received fellowships from the New York Foundation of the Arts\, Kundiman\, and the Asian American Writers Workshop. As a member of Switch N’ Play\, Wo has performed at venues including The Whitney\, National Sawdust\, New York Live Arts\, and BAM Fisher. Check them out @theillustriouspearl.\n \n  \nJess X. Snow is a queer migrant asian-canadian artist\, filmmaker\, and pushcart-nominated poet based in Brooklyn\, NY. A graduate of the Rhode Island School of Design\, they are currently a MFA candidate at NYU Graduate Film. Through film\, large-scale murals\, poetry and art education\, they are working to build a future where queer\, trans and migrant people of color may see themselves heroic on the big screen and city walls & then can grow up with the agency to create their own. Their murals and political graphics have appeared on outdoor buildings across the country and on PBS Newshour\, The LA Times\, and in the permanent collection of the Ford Foundation and the Library of Congress. Their art and films have been used as organizing tools at protests such as the Women’s March on Washington\, as a part of migrant rights organizing on both sides of the border\, as well as on college campuses to support survivors and end rape culture. Their multi-disciplinary practice combines art and somatic healing practices to empower communities to discover inside their own bodies—a sanctuary of healing and collective liberation.\n \n  \nAlejandro Heredia is is a Queer Afro-Dominican writer from The Bronx. He is a member of Project X’s first Slam team\, and national outreach coordinator for PEN Across America\, where he develops literary advocacy and press freedom programming throughout the country. Since 2016\, he has used his writing and organizing skills to create and support literary events in the Bronx\, including efforts to resist gentrification in low-income communities. Heredia is passionate about the creative\, intellectual\, and social lives of Black LGBTQ people across the diaspora. In 2019\, he launched a workshop and event series in the Bronx centering Black LGBTQ writers.\n \n \n \n \n 
URL:https://www.bgsqd.com/event/papers-will-not-protect-us/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/02/Intergalactic_60.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200221T190000
DTEND;TZID=America/New_York:20200221T210000
DTSTAMP:20260620T234506
CREATED:20200203T174050Z
LAST-MODIFIED:20200203T174549Z
UID:8662-1582311600-1582318800@www.bgsqd.com
SUMMARY:45 Years Behind the Leather Curtain - Community Panel
DESCRIPTION:  \nAn unforgettable community panel sharing the history\, passion\, and livelihood of men and women bonded through leather expressions.\n  \nJoin the Brothers of Excelsior M.C. and notable panelists Witti Repartee\, Richard Majewski\, and Scott Erickson.\n  \n  \nWitti Repartee\nWitti Repartee is the Queen of the New York Leathermen. Currently\, the Vice President and Show Director for Folsom Street East and board member of Delta Brotherhood International\, she’s also the hostess for Continuum. She’s a former co-chair of Leather Pride Night\, served as facilitator for GMSMA’s TNG Group\, and has served on the boards of the Gay Activists Alliance in Morris County\, Big Apple Performing Arts and the Imperial Court of New York. During the day she serves as the major gifts officer of the Stonewall Community Foundation and she’d love to know the hanky code for hot wax.\n  \n \nRichard Majewski\nOne of the founding members of Excelsior M.C.\, Richard will share the values lived and observed through the brotherhood of New York City’s leathermen.\n  \n \nScott Erickson\nAfter co-founding the Bay State Marauders in 2003\, Scott currently serves as the club’s Historian and Atlantic Motorcycle Coordingin Council (AMCC) representative. He was co-chair of the New England Leather Alliance in 2007 and 2008 and remains active with the organization today. Scott was titled Mr. Boston Leather in 2004. In 2007\, he won the Pantheon of Leather New England Regional Award. He has been active in the Boston leather community since 1990 and has shared his craft of knot tying for more than 40 years.\n  \n  \nPurchase $10 ticket\n  \n \nProceeds from tonight’s event benefit SAGE\, New York City’s advocacy and service organization for LGBT elders. \nDue to space capacity only 40 tickets will be available. \n  \n \n  \n \n  \n 
URL:https://www.bgsqd.com/event/45-years-behind-the-leather-curtain-community-panel/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/02/Excelsior-Feb-21.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200223T170000
DTEND;TZID=America/New_York:20200223T190000
DTSTAMP:20260620T234506
CREATED:20200206T184559Z
LAST-MODIFIED:20200210T171615Z
UID:8668-1582477200-1582484400@www.bgsqd.com
SUMMARY:Book Launch with Jasmine Reid and Catherine Chen
DESCRIPTION: \nCatherine Chen & Jasmine Reid read from their debut poetry collections Manifesto\, Or: Hysteria (Big Lucks) and Deus Ex Nigrum (Honeysuckle Press)\, the 2018 Winner of the Honeysuckle Chapbook Contest\, selected by Danez Smith\, at this stop along their Dykes of the Universe co-book tour. Catherine will reach into your soul & hold you in the mirrored reality of their poesis. Jasmine will invite you to find posterity & futurity in the blooming surround of human being. Together\, in sky\, these sibling comets arrive.\n \n \nCopies of Manifesto\, Or: Hysteria and Deus Ex Nigrum will be available for purchase at the Bureau. To reserve a copy/copies please write to us at contact@bgsqd.com. Please support the Bureau by buying books from us. Thank you!\n \n \nCatherine Chen is a poet\, performer\, and author of the chapbook Manifesto\, or: Hysteria (Big Lucks). Their writing has appeared in Slate\, The Rumpus\, Apogee\, Anomaly\, and Nat. Brut\, among others. A recipient of fellowships from Poets House\, Lambda Literary\, and Sundress Academy for the Arts\, they’re currently working on a libretto.\n \n \nJasmine Reid is a twice trans poet of flowers. She is the author of Deus Ex Nigrum\, winner of the 2018 Honeysuckle Press Chapbook Contest\, selected by Danez Smith. An MFA candidate at Cornell University and recipient of fellowships from Poets House and Jack Jones Literary Arts\, her work has been published or is forthcoming in Muzzle Magazine\, Apogee\, the Shade Journal\, and Pinwheel\, among others. A Pushcart Prize and Best of the Net nominated poet\, Jasmine was born and raised in Baltimore\, MD\, and is currently based in Ithaca\, NY. Find her at reidjasmine.com \n \n 
URL:https://www.bgsqd.com/event/book-launch-with-jasmine-reid-and-catherine-chen/
LOCATION:NY
ATTACH;FMTTYPE=image/png:https://www.bgsqd.com/wp-content/uploads/2020/02/DykesPoster_BGSQDFinalDFinal.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200228T190000
DTEND;TZID=America/New_York:20200228T210000
DTSTAMP:20260620T234506
CREATED:20200210T184330Z
LAST-MODIFIED:20200210T184330Z
UID:8681-1582916400-1582923600@www.bgsqd.com
SUMMARY:Romans/Snowmare Book Launch
DESCRIPTION:  \nCome celebrate the launch of Cam Scott‘s Romans/Snowmare—a daybook of anti-capitalist ideation\, a homoerotic reinvention of the prairie long poem\, a ludic experiment with language and duration.\n \nCopies of Romans/Snowmare will be available for purchase at the Bureau. To reserve a copy please write to us at contact@bgsqd.com. Please support the Bureau by buying books from us. Thank you!\n \n \nCAM SCOTT is a poet\, critic\, and non-musician from Winnipeg\, Canada\, Treaty 1 territory. He is the author of WRESTLERS\, a visual suite published by Greying Ghost in 2017\, and ROMANS/SNOWMARE\, published by ARP Books in 2019. In addition to his own writing and musical practice\, he is artistic director of send + receive\, a festival of sound art and experimental music based out of Winnipeg.\n \n \nMIA KANG writes poems and other perversions. She is the author of City Poems (2020)\, a poetry pamphlet from ignitionpress. Mia was named the 2017 winner of Boston Review’s Annual Poetry Contest by Mónica de la Torre\, and her writing has appeared in journals including POETRY\, Washington Square Review\, Narrative Magazine\, and PEN America. She is a Brooklyn Poets Fellow\, runner-up for the 2019 and 2017 Discovery Poetry Contests\, and finalist for the 2019 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship. She has received awards from the Academy of American Poets\, the Fine Arts Work Center in Provincetown\, and the Millay Colony for the Arts. Mia is a PhD student in the history of art at Yale University\, where she studies the contested rise of U.S. multiculturalism and its failures. www.miaadrikang.com\n \n \nIAN DREIBLATT is a writer and translator interested in paganism\, the ends of worlds\, writing\, and socialist mass culture. Recentish chapbooks include barishonah (DoubleCross Press) and how to hide by showing in the age of being alone with the universe (above/ground press); recentish translations include the prison letters of Pussy Riot’s Nadezhda Tolokonnikova (Comradely Greetings\, Verso Books) and the poems of Pavel Arseniev (Reported Speech\, Cicada Press). Forthcoming books include a translation of Dmitrii Furman’s Spiral (Verso Books) and a full-length poetry collection (forget thee\, Ugly Duckling Presse). He is TV Commercials Correspondent at the Believer and edits Counter. If you but express mild interest\, he will surely cook you soup.\n \n \n \n 
URL:https://www.bgsqd.com/event/romanssnowmare-book-launch/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.bgsqd.com/wp-content/uploads/2020/02/romans_snowmare.jpg
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